The Edmonton School of Ballet ‘Summer Dance Intensive’ is a fun and educational dance camp that runs intensively for 2 weeks each summer. Classes include ballet, variations/repertoire, jazz, and modern, among others. At the end of each camp, there is a costumed, theatre performance demonstrating the culmination of the 2 weeks’ work.
It is imperative that dancers continue some intensive training during the summer months. We recommend the ESB Summer Dance Intensive as it has a carefully developed curriculum to best enhance our students’ development. Other summer dance programs may be approved by the Artistic Director. Such requests should be made in writing prior to the end of the school year. Upon approval, students may attend another summer dance program and take only a partial program in the ESB Intensive Summer Dance Camp. Without summer classes, it takes a dancer several months to regain the strength and technique lost over the summer. Students in the ESB Preparatory Program, in the Vimy Ridge Academy Dance Program and those recreational students at similar levels (ie: Jr. 4 and up) who do not attend the Summer Dance Intensive may not progress to the next level in the fall. Fees for the ‘Summer Dance Intensive’ are extra.
For details about the Summer Dance Intensive, contact us.
ESB Summer Dance Intensive 2017 – Tuesday, August 8 – Saturday, August 19, 2017 (at ESB)
Last year’s guest instructors included:
Born in Edmonton, Alberta, Lawson began her training with the Edmonton School of Ballet. She left home at the age of 16 to further her studies at Canada’s Royal Winnipeg Ballet School Professional Division where she graduated with distinction in 1996. Lawson was hired into the Company as an apprentice, became a principal dancer in 2005, and Ballet Master in 2013.
Lawson’s repertoire includes Giselle in Sir Peter Wright’s staging of Giselle, Juliet in Rudi van Dantzig’s Romeo & Juliet, Odette/Odile in Galina Yardonova’s staging of Swan Lake, Princess Aurora in The Sleeping Beauty, Clara in The Nutcracker, Lucy and Mina in Mark Godden’s Dracula, Pamina in Mark Godden’s The Magic Flute, Cours D’Amour in Mauricio Wainrot’s Carmina Burana and the lead role of Nancy in Val Caniparoli’s A Cinderella Story. She has also performed Peter Quanz’s Luminous, Jiri Kylian’s Nuage, Anthony Tudor’s The Leaves Are Fading, Rudi van Dantzig’s Four Last Songs, Twyla Tharp’s In the Upper Room, and the lead in Balanchine ballets such as The Four Temperaments, Serenade and Concerto Barocco. Created roles include Tinker Bell in Jorden Morris’ Peter Pan, Destiny in Mauricio Wainrot’s Carmen, The Passion, and Natalie in Jorden Morris’s box-office hit Moulin Rouge® – The Ballet. Other repertoire includes ballets by Peter Quanz, Jiri Kylian, Toer van Schayk, Agnes de Mille and Itzik Galili.
As a founding member of Q Dance, Lawson was selected by choreographer Peter Quanz to perform his new piece In Tandem at the prestigious Guggenheim Museum in New York City and at the 2010 Canada Dance Festival in Ottawa. Lawson has also appeared as a guest artist internationally, performing in galas with the Compania Nacional de Danza in Mexico City, the Benios De La Danse in Moscow, the 10th and 13th International Ballet Festivals of Miami, and the Encore International Dance Festival in Quebec. She was invited to dance with various companies and schools in full-length productions of Nutcracker, Swan Lake and The Sleeping Beauty throughout Canada, the USA and Spain. As part of the Cultural Olympiad for the 2010 Vancouver Winter Olympic Games she performed the lead in Itzik Galili’s Hikarizatto.
Lawson began working as Artistic and Administrative Associate for Peter Quanz and his company Q Dance in 2013. She continues to assist Quanz in new works, and stage ballets on the company. Together, they traveled to Havana to set Quanz’s “Luminous” on the Ballet Nacional de Cuba, which was performed in the International Ballet Festival of Havana.
As Ballet Master for the RWB, Lawson has assisted choreographers such as Quanz, Twyla Tharp, Lila York, Jorden Morris, John Alleyn and Val Caniparoli. She has staged many works on the RWB and on other companies and has taught as a guest teacher internationally. She continues to perform character roles with the RWB and enjoys every opportunity to be back on the stage.
Lawson is currently completing the Manitoba Arts and Cultural Management Program through the University of Winnipeg. She was selected as a peer advisor for the Winnipeg Arts Council, has been an advocate for the Dancer’s Transition Resource Center, and has represented both management and dancer in negotiations with Canada’s Actor’s Equity Association.
Lawson is thrilled to have recently given birth to a baby girl. She is currently taking a break from work to spend a year raising her daughter.
Stéphane Leonard is the School Aspirant Program Director at Canada’s Royal Winnipeg Ballet (RWB). He assumed this position after his retirement from the RWB Company (Soloist 1998-2002).
Mr. Leonard began training in Montreal under the tutelage and mentorship of Ms N. Izbinsky and continued at the prestigious Vaganova Academy in St. Petersburg, Russia. Following his graduation in1993, Mr. Leonard made his professional debut with the National Ballet of Canada under the direction of Mr. Reid Anderson. In 1995, Mr. Leonard joined the Rimsky-Korsakov Conservatory Ballet and Opera under the direction of Mr. Nikita Dolgushin. In 1998, Mr. Leonard returned to Canada to join the Company the RWB where he performed for many years.
Mr. Leonard’s classical repertoire includes such roles as Prince Desire (The Sleeping Beauty), The Poet (Les Sylphides), The Nutcracker Prince (Nutcracker), Tybalt (Rudi Van Dantzig’s Romeo & Juliet), Hilarion and the Peasant Pas de Quatre (Sir Peter Wright’s Giselle). He has also performed soloist roles in various neo-classical and contemporary repertoire by choreographers such as Balanchine, Ashton, Tetley, McMillan, Cranko, Kyllian and Kudelka. In addition, Mr. Leonard appeared as Arthur Holmwood in Guy Maddin’s Gemini-award winning film Dracula and provided choreography for Maddin’s acclaimed My Winnipeg.
Mr. Leonard’s students have enjoyed successful careers with companies across the globe such as the Miami City Ballet, Stuttgart Ballet, Ballet of Monte Carlo and Corella Ballet and the RWB Company. In his time with the RWB School, Mr. Leonard has spear-headed several important initiatives such as The Connection Tour, an innovative arts and education program which saw students from communities in Northern Manitoba partnering with emerging dance artists and practitioners in other arts disciplines on diverse creative projects.
In addition to his work with the RWB School, Mr. Leonard frequently guest teaches in Canada and abroad, having visited institutions such as the Banff center for the Arts and The National Ballet School of Canada. In 2003, Mr. Leonard assisted Mr. Van Dantzig in the staging Romeo & Juliet for The Greek National Ballet and Boston Ballet.